翻訳と辞書
Words near each other
・ Portrait of Daniel-Henry Kahnweiler
・ Portrait of Daniele Barbaro
・ Portrait of Dirck van Os
・ Portrait of a Clad Warrior (Savoldo)
・ Portrait of a Collector
・ Portrait of a Commander
・ Portrait of a Condottiero (Bellini)
・ Portrait of a Courtesan (Caravaggio)
・ Portrait of a Doctor
・ Portrait of a Gentleman in a Fur
・ Portrait of a Gentleman with a Lion Paw
・ Portrait of a Hitman
・ Portrait of a Kleptomaniac
・ Portrait of a Lady (poem)
・ Portrait of a Lady (van der Weyden)
Portrait of a Lady in Yellow
・ Portrait of a Lady Known as Smeralda Brandini
・ Portrait of a Large Dog
・ Portrait of a Lone Farmer
・ Portrait of a Man
・ Portrait of a Man (Antonello da Messina, Berlin)
・ Portrait of a Man (Antonello da Messina, London)
・ Portrait of a Man (Antonello da Messina, Madrid)
・ Portrait of a Man (Antonello da Messina, Pavia)
・ Portrait of a Man (Antonello da Messina, Turin)
・ Portrait of a Man (Domenico Ghirlandaio)
・ Portrait of a Man (Mantegna)
・ Portrait of a Man (Raphael)
・ Portrait of a Man (Self Portrait?)
・ Portrait of a Man (Signorelli)


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Portrait of a Lady in Yellow : ウィキペディア英語版
Portrait of a Lady in Yellow

''Portrait of a Lady in Yellow'' was painted by the Florentine artist Alesso Baldovinetti sometime in the second half of the 15th century, most likely c. 1465.〔Based on its stylistic resemblance to other works〕 For centuries the work was mis-attributed; it was purchased by the National Gallery London in 1866 as a portrait of Countess Palma of Urbino, attributed to Piero della Francesca.〔 In 1911 art historian Roger Fry established that it was by Baldovinetti. However, there is no evidence of the source of the commission, and doubt remains as to the identity of the sitter; the most plausible theory is that she is Francesca delgi Stati of Urbino.
The sitter is shown in profile, reflecting the early Renaissance interest in the Antique, and lending the work an almost sculpted feel. She is set against a uniform blue background, in a canvas that is largely flat and lacking in either perspective or depth. Instead the focus of the work centers on the fineries of both her headdress and adorned sleeve.
==Attribution==
Until 1911 the painting was attributed to Piero della Francesca;〔Rowlands, Eliot W. "Baldovinetti's 'Portrait of a Lady in Yellow'". ''The Burlington Magazine'', Volume 122, No. 930, September 1980. 624–625, 627〕 largely due to its similarity to his portrait of the Dutchess of Urbino. In 1911 Roger Fry established that the work was by Baldovinetti. Fry based his claim on a several grounds, including technique, colour scheme and the form of the woman's face and drapery, all of which he believed could only be credited to Baldovinetti.
Drawing from his own observations and details from Giorgio Vasari's "The Lives of the Artists" he noted elements of Baldovinetti's style not common among contemporary Italian painters, including the manner in which he used tempera rather than hatching to fuse colour. He further notes the use of dry colouration and straw yellow present in the work and typical of Baldovinetti, while Francesca tended towards more earthy skin tones with a bright luminous finish.〔Fry, Roger. "On a Profile Portrait by Baldovinetti". ''The Burlington Magazine for Connoisseurs'', volume 18, no. 96, March 1911. 308–313〕 Today Fry's attribution to Baldovinetti is accepted without real doubt.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Portrait of a Lady in Yellow」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.